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Archive for the ‘faces’ Category

KatRaeburn

If you squint a little, you’ll see two dark stripes.  At the same time you see a profile.  Stay with this.  Keep looking at the whole page.

The mark making in the dark passages is so rich that you’re drawn (!) in to dwell on the intensity of that texture.  The next second you’re reading the face with its clear profile and the hint of an eye in the shadow side.  Your brain flickers like a strobe light, back and forth in this paradox.

This is uncanny, very powerful.

Drawing by Kat.

Here’s what I mean by “two dark stripes”:

KatRaeburn copy

All contents copyright (C) 2010 Katherine Hilden. All rights reserved.

www.katherinehilden.com

http://facefame.wordpress.com

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HenryRaeburnBWusdRaeburn’s portrait of Robert Brown hangs at the Art Institute of Chicago.  I admire it at every visit.  It is painterly, with quick, sure dashes of the brush: look at the hair, the edge of the collar.

Of all the student copies of this portrait (up-side-down) this drawing, by Mary, is most “painterly.”

When we see lines in a drawing or a painting, our attention traces the line and we feel assured of clarity and rationality.  Lines delineate shapes, orient us and tell us what’s what.

MaryRaeburn

Notice, there are no lines in Mary’s drawing.  Everything is effect, shades of gray, nuance. Imagine navigating over your drawing paper without the guidance of lines.  It takes intense concentration. This is quite an achievement.

When we draw portraits we are not satisfied with mere accuracy of facial features.  We always read the emotion in the face.  When you consider that this drawing was done up-side-down, is it not astonishing how such a process can result in such depth of emotion?

To review how this drawing exercise was set up, visit

https://artamaze.wordpress.com/2019/09/16/facing-the-portrait-with-henry-raeburn-1/

To compare other students’ work:

https://artamaze.wordpress.com/2019/09/16/facing-the-portrait-with-henry-raeburn-3/

https://artamaze.wordpress.com/2019/09/16/facing-the-portrait-with-henry-raeburn-2/

 

All contents copyright (C) 2010 Katherine Hilden. All rights reserved.

www.katherinehilden.com

http://facefame.wordpress.com

http://katherinehilden.wordpress.com

www.khilden.com

 

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20190905_123041.jpg

Students gasped when this drawing was turned around, to be seen right-side-up.

It was drawn up-side-down, remember. Btw,  No student cheated by turning the drawing right-side-up before it was finished.

When you’re drawing up-side-down, you enter a state of –hello!—pure seeing.  Sounds corny, but the name of this class is simply Drawing as Seeing.  It’s thrilling!

Notice how the sliver of reflected light on the face’s shadow side makes the drawing three-dimensional. So subtle, so powerful.

The time allotted for this assignment was a little over an hour.

Drawing by Shweta.

https://artamaze.wordpress.com/2019/09/16/facing-the-portrait-with-henry-raeburn-2/

https://artamaze.wordpress.com/2019/09/16/facing-the-portrait-with-henry-raeburn-1/

All contents copyright (C) 2010 Katherine Hilden. All rights reserved.

www.katherinehilden.com

http://facefame.wordpress.com

http://katherinehilden.wordpress.com

www.khilden.com

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JudyRaeburn

This student, Judy,  also working upside-down, stayed with the assignment.  So difficult, remember.  It can be very frustrating not to be able to outline the eyes with some clarity.

But look, turned right-side-up, the face comes through with eerie intensity.  Most striking is the eye on the shadow side of the face.  Notice, that the only thing that says “eye” is the white of the eye.  There is no other anatomical feature stated.

We will continue to work with faces in this class.  What makes a likeness, an emotional expression–what draws a viewer in—all that is quite nuanced and fascinating.

To review the basic set-up of this assignment, visit:

https://artamaze.wordpress.com/2019/09/16/facing-the-portrait-with-henry-raeburn-1/

 

All contents copyright (C) 2010 Katherine Hilden. All rights reserved.

http://facefame.wordpress.com

http://katherinehilden.wordpress.com

www.katherinehilden.com

www.khilden.com

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HenryRaeburnI like to present my students with art work that feels modern but was actually done centuries ago.  Henry Raeburn (1756-1823) was a Scottish portrait painter with a modern, romantic sensibility.  In our fourth drawing class we were working from Raeburn’s portrait of one Robert Brown of Newhall (1790’s), about whom I know nothing, but Raeburn must have seen him as self-confident and introverted at the same time.

Now, the catch is that we drew Mr. Brown upside down from a b/w Xerox copy.

HenryRaeburnBWusd

This is a difficult assignment!

It’s difficult because, even looking at it upside down, you know it’s a face and that means you want to do it justice.  You want to get it right. You know, for example, that the grayish smudge you’re looking at in the Xerox copy is actually representing an eye. An eye is a highly intelligent feature and it’s super important in getting a likeness.

20190905_114033

As you can see, this student could not resist the temptation of drawing a clear face with clearly articulated features.  It’s interesting that Robert Brown’s keen intelligence somehow comes through in Justin’s line drawing.

But, alas, the assignment was not to produce a line drawing but to observe and duplicate the various shades of gray. So difficult, takes so much patience and detachment.  We will have more exercises like this to practice.

https://en.wikipedia.org/wiki/Henry_Raeburn

All contents copyright (C) 2010 Katherine Hilden. All rights reserved.

http://facefame.wordpress.com

http://katherinehilden.wordpress.com

www.katherinehilden.com

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Céline ads are a great source for drawing faces.   You don’t feel obliged to make it pretty and add eyelashes. Just draw!

Drawing by Jeanne Mueller, graphite.

https://artamaze.wordpress.com/2017/01/10/celine-frown/

All contents copyright (C) 2010 Katherine Hilden. All rights reserved.

http://facefame.wordpress.com

http://katherinehilden.wordpress.com

www.katherinehilden.com

www.khilden.com

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16octhead

We say “the whites of their eyes.”  But the highlight on the upper eyelid 16octheadeye(1) is whiter than the white of the eye (2). It’s not easy to give in to this fact.  After all, no one ever said, “don’t shoot until you see the highlight on their upper eyelids.”

This drawing from a photo does not resemble the 16octheadphotomodel, but that doesn’t matter.  Resemblance comes much later.  And in any case, resemblance may not be the goal.  The model/photo serves as inspiration and what happens in the drawing process is more important than likeness.

As you look at this drawing notice how important the shadow cast over the eye ball is for the expression and your conviction that this is a real person.

Drawing by Maggy Shell, charcoal, ~ 16” x 14”

https://artamaze.wordpress.com/2013/05/26/eyes-no-eyes/

https://artamaze.wordpress.com/2014/03/23/2778/

https://artamaze.wordpress.com/2012/05/09/andre-carrilho-and-the-mythic-window-to-the-soul/

All contents copyright (C) 2010 Katherine Hilden. All rights reserved.

http://facefame.wordpress.com

http://katherinehilden.wordpress.com

www.katherinehilden.com

www.khilden.com

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