Posts Tagged ‘window’


Your mind naturally associates to “window.”  But look, there’s no view to the outside, which is why we walk over and stand in front of a window.  This is pure window.  Like a Gothic stained glass window, except here there’s no story to be instructed by.  Pure light, which, come to think of it, is Gothic Architecture’s metaphor for the divine.  Well, I’ll stop just short of calling this painting divine, but allow me to say, it’s glorious.  You allow and you agree, of course.

You can’t stop looking at it.   As you celebrate windowness and you’re grateful for the invention of glass with its capacity to transmit and reflect light, you’re mind does wander.  You start looking at the quality of the brush stroke, the transitions from one luminous color to another and then there’s a little quirkiness that holds your attention.

First, notice that your eye does not dwell on any of the four corners.  That’s because there’s no detail in the corners, they’re filled with blocks of color and some blurry lines.  It’s true those lines do guide your eye there but only briefly and then they move back inward. Our eyes evolved to find details and movement interesting.

Where do we find details and movement?


What are those funny little red dots?  Looks like footprints.  If you have the privilege of looking at this painting up close, you’ll notice that they are fingerprints.  The artist must have dipped her fingertips into the red paint on her palette and then walked them across the canvas. As the paint was transferred she went back to the palette to dip in again.  Her fingers walked diagonally upward on the canvas from right to left.  Pure invention.  What a delight!

It’s nice to be reminded that we’re a species that invents.

You can see this painting by Veronica Sax at the Evanston Art Center’s Studio Show til January 29.


Veronica Sax, Not, Just… Acrylic on canvas, 40”x 30”

All contents copyright (C) 2010 Katherine Hilden. All rights reserved.






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The layering in this painting is uncanny, so pay attention. You think the “window” in those Cubist browns (1) is on top of the blue CubustWindowFinalAnalysis“background.” Look again. Those browns used to cover the whole painting and then the blue (2) washed over everything, leaving that “window.” That created enough of a puzzle, but the artist felt the painting needed a line somewhere in the blue expanse. Indeed. The line materialized, quite literally, not as paint but as a piece of yellow yarn, which was glued onto the canvas with acrylic matte medium. The effect of this humble yellow line is that it amplifies the three-dimensionality of the pictorial space, in that we now have the illusion of a horizontal plane below the yellow line and above it, a wall. Now the “window” really pushes forward. As you look at this, you know you’re being fooled by the simplicity of means and at the same time you gladly give into the illusion.
Keren Vishney, acrylic on canvas, 30” x 40”

All contents copyright (C) 2010 Katherine Hilden. All rights reserved.

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