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Posts Tagged ‘Homage to Chardin’

103ClassMOIChardin2

Working on a drawing is a kind of conversation.  It’s an interaction between the artist and her materials, her graphite sticks, erasers, paper texture and size.   When you’re in the process you may not think of it as a conversation because you’re so involved, but later, when you’re asked to verbalize what it feels like, you may analogize it to a conversation.  Then the conversation comes to a conclusion and you call the work finished.

You think you’re finished when your drawing is finished.

But then a whole other conversation starts.  Now the mat has to put in its two cents. It says, here or…here? Do you want to have a clean edge with the mat overlapping the pencil marks (see above) or do you want to show how the pencil marks fade into the blank drawing paper (below)?

103ClassMOIChardin1

You can see that the feeling is quite different.

In class I showed both versions. The consensus was in favor or version two, the pencil marks fading into the blank drawing paper. The students had no difficulty articulating why they liked this version better.

Well, what is the difference in feeling?

The question will come up again, soon.  It’s worth reflecting on with more examples to consider.

 

Drawing by  Katherine Hilden. Homage to Chardin. Graphite and white conté on toned paper, 18”x26”

 

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