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Posts Tagged ‘Failure’

mistakeroom1

The program of this gallery is failed art.

How can we think about this?  What is failed art?

Apparently it’s the artist who decides that what he or she attempted to do ended in failure.

But that can’t be, because the artist then submits the work to the gallery. Doesn’t that mean the work is an interesting failure?  Sorry, that’s an oxymoron.  If it’s interesting, it can’t be called a failure.

Maybe the artist doesn’t find it interesting, but depressing.  Then the gallery would be offering therapy by accepting the work.

This gallery would have to be swamped with inquiries.  How does the curator decide which failed work will get shown because it’s the best failure? Best failure? Worst failure?

When an artist’s failed work is chosen, does the artist then consider herself a success?  At the opening, do the guests congratulate her? Will this go on her résumé?

On the gallery’s web site, http://www.tmr.la/, the word “mistake” is crossed out.  Ah, so that’s it.  There’s no such thing as a mistake.

Or is the word “mistake” crossed out by mistake?

Back to square one.

mistakeroom

An installation view of “Oscar Murillo: Distribution Center,” 2014, at the Mistake Room.

https://artamaze.wordpress.com/2015/08/30/seeing-something-awful/

The Mistake Room, 1811 E. 20th Street, Los Angeles, CA 90058

Phone: (213) 749-1200.  Email: info@tmr.la

Wed – Sat     11am – 6pm.     Sun – Tue     Closed

All contents copyright (C) 2010 Katherine Hilden. All rights reserved.

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RenoirPiano

This is a good time to visit the Art Institute of Chicago because you won’t have to even glance at Renoir’s “Woman at the Piano” as you pass through the Impressionist Gallery just off the staircase.  Lifeless, insipid.  Notice the pink hands on the piano keys, no energy there at all.  They look wilted and dead, like something shredded and overcooked. Flounder?  Flop, drip, melt.  I can’t relate to this tired image at all, except to learn from it’s failure.

I’ve made an effort to see it as a plea on Renoir’s part to let women out of the house once in a while—it was painted in 1875, when respectable women, the kind who would have a piano in the house, were actually encouraged to stay inside as much as possible and if they had to leave, to take a parasol as protection against the sun, that awful bright daylight.

This is the first post on the topic of taking time to look at art you don’t like, first mentioned in post 2.23.13.

Next, I’ll flip this boring and bored woman left-right in the hope of finding something there.

This painting in now on loan at the Met for the exhibit “Impressionism, Fashion and Modernity,” which will be there til May 27.   http://www.metmuseum.org/en/exhibitions/listings/2013/impressionism-fashion-modernity

All contents copyright (C) 2010 Katherine Hilden. All rights reserved.

www.khilden.com 

http://facefame.wordpress.com

http://katherinehilden.wordpress.com

 

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