The painter Françoise Gilot met Picasso in 1943. They lived together from 1946 to 1953, dividing their time between Paris and the south of France, where they paid frequent visits to Matisse, who lived nearby. Her book Matisse and Picasso, a Friendship in Art (1990) gives us a glimpse into how hard everybody worked. Both […]
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Matisse, Picasso and Gilot
Posted in Achievement, Composition, Imagination, inspiration, Still life, tagged Francoise Gilot, Henri Matisse, Pablo Picasso, Red Onions, still life painting, Vence Chapel on July 5, 2020| Leave a Comment »
Picasso’s “Nude with Raised Arm and Drapery”
Posted in abstraction, Cubism, literalness, Roundness, Seeing, Still life, Technique and Demo, tagged cubism, Dilbert, drapery, Malcolm Gladwell, Outliers, Picasso, practice, reflected light, Renaissance, skill on October 29, 2014| Leave a Comment »
Drapery? Where? You mean those whitish-bluish triangles and trapezoids? Picasso was twenty-six when he painted this. By the time he was fourteen, he had mastered the skill to create the illusion of drapery or any other illusion he might have felt like creating. There was big money in illusions in the 1890’s. But not for […]
Picasso and Poussin
Posted in Caricature, Illustration, tagged comical, glorious, Guernica, Nicolas Poussin, Pablo Picasso, Paris, Rape of the Sabine Women, war on September 23, 2013| Leave a Comment »
A friend sent me this postcard from Boston this summer: Pablo Picasso (1881-1973), “Rape of the Sabine Women,” 1963. It’s as unmistakably Picasso as “Guernica,” 1937. Both paintings are from an artist who was a life-long renouncer of the insanities created by politics, war being pre-eminent among them. He was an anarchist. He had mastered […]
The Chicago Picasso
Posted in Architecture, Master drawings, Technique and Demo, tagged Chicago, Daley Center, Picasso, process, Richard Bennett, work on February 5, 2013| Leave a Comment »
Picasso didn’t like to travel. When he was in his twenties he would go back to his native Spain every now and then, but always with his painting materials. Later, when he was absurdly rich and able to go anywhere in the world, he preferred to stay close to his studio. He worked. He worked […]
Picasso and the Woman Ironing
Posted in Imagination, inspiration, Master drawings, tagged birthday, complacency, Doubt, New York Times, Picasso, skill, Woman Ironing, work on October 25, 2012| Leave a Comment »
Today is Picasso’s birthday. Yesterday the New York Times ran a two-page article about the analysis of his 1904 painting “Woman Ironing” which shows that it is painted over another painting, a portrait study, also by Picasso. Strapped for cash, he regarded the older, unfinished painting as mere canvas. Go to http://www.nytimes.com/interactive/2012/10/25/arts/design/hidden-picasso.html?ref=design to see the […]
Learning to Draw: Picasso and Van Gogh
Posted in Illustration, Imagination, inspiration, Life drawing, Master drawings, Technique and Demo, tagged learning, markmaking, passion, persistence, Picasso, prodigy, Van Gogh on June 25, 2012| Leave a Comment »
Pablo Picasso (1881-1973) was a prodigy. He drew incessantly as a child, filling the margins of his school books with sketches. His father, an art teacher, is said to have handed his son his own brushes and paints, saying, “here, you have surpassed me.” When Picasso was fourteen, his drawings looked like this. Vincent Van […]
Picasso and the Process
Posted in Illustration, Quotes, tagged painting, Picasso, process, representation on August 31, 2011| Leave a Comment »
If the question posed in the previous post seems simpleminded—of course it’s not art, it’s only an illustration!—then why do all beginning painters and limners get obsessed with illustrating what they see? And more often than not they get stuck in that obsession. Just this morning, a student (in a painting class that I was […]