As some of you know, I recently moved to Indianapolis. I am now happy to let everyone know that I have recently started a drawing class in nearby Columbus, In. Columbus is famous for its world class modern architecture with a tourism center kept busy by an international crowd lining up to see those eighty (!!) famous buildings. This city of 47,000 has a branch of Indiana University but it did not offer a drawing class for the public until—tatah!—I jumped in to fill that vital void.
Our Columbus drawing class meets in the library–designed by I.M. Pei. The class, called “Drawing as Seeing,” has met only four times so far. I’ll start by showing the work done in our third class. Ready?
Our topic was “Markmaking,” which is a scribble/shading technique that is as individual and unique as your thumb print. After a brief demo with students looking over my shoulder, I sent everybody to their seats with a Xerox copy of Thomas Gainsborough’s masterful drawing called “Landscape with Horsemen.” You can see it at the top of this post.
What happened in class was highly rewarding and led to the discussion of an important topic: “incompletion” in a work of art.
The time allotted for this exercise was only an hour and that proved to be an advantage because it meant that students had to leave with their drawings incomplete.
I held up all the drawings and introduced the idea of Incompletion as a topic in modern art. I suggested that it’s precisely because these drawings are incomplete that they are so engaging.
Incompletion in a work of art reaches us with evocative power. It engages us—paradoxically, perhaps—more than an image that’s carefully worked out in every detail.
The next drawing was done by a left-handed student. I had copied him a mirror image of the original Gainsborough to work from because the left hand moves in a different radius than the right hand.
I reminded students that they had the option of leaving the drawing as is, “incomplete,” or doing more work on it at home.
In the next class, this teacher was gratified that none of the students had “completed” the drawing. Every student seems to have gotten the modern bug.
We will get back to this Topic of Incompletion many more times.
We are off to a promising start!
Thomas Gainsborough, 1727-1788 https://en.wikipedia.org/wiki/Thomas_Gainsborough
Columbus, Indiana https://columbus.in.us/architecture-story/
All contents copyright (C) 2010 Katherine Hilden. All rights reserved.
Nice Katherine.
Peter Brinckerhoff ALA LEED AP Brinckerhoff & Associates LLC Website:www.brinckerhoffandassoc.com 847-877-7383 Sent from my iPhone
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Thank you, Peter. I assume you are familiar with Columbus and its fabulous architecture. I love visiting there every week, even love the 45 min drive. In Evanston I’ve kept only my drawing class, meeting with my students for the class around dining room tables. Keeping in touch with my painting students one on one. You too, stay in touch!
So glad that the class in Columbus has become a reality! I’m a little envious too, although I don’t think I could attend given the commute from Chicago! 🚴♀️🚴♀️
It’s also great to hear again about the value of “incompletion”—as a viewer I really enjoy making connections and having “ahaa!” moments when looking at artwork.
More please! Maggy
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