“It’s disturbing,” someone in the class said when I put up this drawing by Maggy Shell.
Yes, it is.
The artist may not have deliberately pushed the drawing towards 
the “disturbing” sign, but the assignment was to draw half of the face in deep shadow and that may have prompted her to go for it. With that instruction, it’s easy to see something creepy in the photo to start with.
She chose to:
-push the figure against an edge of the paper. Drawing against the edge really does make a drawing edgy. If she had positioned the figure in the middle, as it is seen in the photo, the image would have become balanced and not disturbing.
-tilt the head. When people are calm, their heads sit straight on their shoulders. Tilting the head is a sign of skepticism or flirtatious submission. We can rule out the latter here. What’s left is skepticism, which is definitely on the edgy edge of the continuum.
-follow the instruction to put one side into deep shadow. Yes, she did. Oh, how disturbing.
-draw the hands in a skeletal manner and against a deep black background.
“Disturbing” art came into vogue with the Romantics around 1800. The notion of the sublime gave you goose bumps—certainly uncomfortable: Caspar David Friedrich, The Wanderer Above the Mists, 1818.
And what about dreams—oh, so disturbing: Henry Fuseli, The Nightmare, 1781
If you think Maggy Shell’s drawing is edgy and disturbing, consider the horizontal flip. Now, that’s spooky. Why is that? We’ve seen many horizontal flips on this blog that demonstrate how position on the page conveys feeling.
All contents copyright (C) 2010 Katherine Hilden. All rights reserved.
artamaze by Katherine Hilden 
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