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Archive for March 13th, 2014

14OneMinutes copyWhen we have a model, the poses range from twenty minutes to one-minutes.  I like to start the class with a couple of fives and only then go into the fast and furious ones.  One-minute poses are exhilarating and also terrifying.  Hence. the fivers at the start.

We’ll have a set of six one-minute poses.  I encourage my students to draw all six on the same page, allowing the figures to overlap.  This creates a visual intensity and adds the element of time, not only in creating the illusion of motion, but in the urgency of the crowded lines themselves.

13MarchMultiStephI draw along—hey, it only takes six minutes to do six poses.  Students can then see what my page looks like, in all its raggedy incompletion.  While the next, longer pose is in session, I’ll work some atmospheric markmaking around the figures, tying them together and at the same time making them emerge out of and vanish into the invented darkness.  The scribbly anatomy studies then hang together as an image.

For studies like this I like to work with Stabilo on gloss paper.  Gloss paper has no texture and therefore no pressure is required.  Then, for the second stage of adding the dark “background,” the Stabilo, being water-soluble, allows for all sorts of smudging and atmospheric effects.

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